Tarzan Triumphant

Time is the warp of the tapestry which is life. It is eternal, constant, unchanging. But the woof is gathered together from the four corners of the earth and the twenty-eight seas and out of the air and the minds of men by that master artist, Fate, as she weaves the design that is never finished.

A thread from here, a thread from there, another from out of the past that has waited years for the companion thread without which the picture must be incomplete.

But Fate is patient. She waits a hundred or a thousand years to bring together two strands of thread whose union is essential to the fabrication of her tapestry, to the composition of the design that was without beginning and is without end.

A matter of some one thousand eight hundred sixty-five years ago (scholars do not agree as to the exact year), Paul of Tarsus suffered martyrdom at Rome.

That a tragedy so remote should seriously affect the lives and destinies of an English aviatrix and an American professor of geology, neither of whom was conscious of the existence of the other at the time this narrative begins—when it does begin, which is not yet, since Paul of Tarsus is merely by way of prologue—may seem remarkable to us, but not to Fate, who has been patiently waiting these nearly two thousand years for these very events I am about to chronicle.