Tono-Bungay

I write that much and look at it, and wonder whether, after all, this is any fair statement of what I am attempting in this book. I’ve given, I see, an impression that I want to make simply a hotch-potch of anecdotes and experiences with my uncle swimming in the middle as the largest lump of victual. I’ll own that here, with the pen already started, I realise what a fermenting mass of things learnt and emotions experienced and theories formed I’ve got to deal with, and how, in a sense, hopeless my book must be from the very outset. I suppose what I’m really trying to render is nothing more nor less than Life—as one man has found it. I want to tell—myself, and my impressions of the thing as a whole, to say things I have come to feel intensely of the laws, traditions, usages, and ideas we call society, and how we poor individuals get driven and lured and stranded among these windy, perplexing shoals and channels. I’ve got, I suppose, to a time of life when things begin to take on shapes that have an air of reality, and become no longer material for dreaming, but interesting in themselves. I’ve reached the criticising, novel-writing age, and here I am writing mine—my one novel—without having any of the discipline to refrain and omit that I suppose the regular novel-writer acquires.